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Showing posts with label Electronics. Show all posts
Showing posts with label Electronics. Show all posts

July 7, 2011

Steampunk Art & Design

I wouldn't necessarily call all of my electronics work my own creations; many of the amps and preamps were existing circuits or kits that I may have modified the parts list or made a few minor circuit changes. As enjoyable as it is to build them, it's preferable for me to stick with tried and true circuits created by the experts and not come up with new schematics of my own volition. There tends to be more enjoyment in the final presentation, the color scheme and the chassis work and even the way the inside looks. A number of people have told me that my builds have a Steampunk look to them. I'm familiar with the movement, and I wasn't even aware of the fact that my design choices tend to follow that look, but perhaps was subconsciously making the design decisions with Steampunk as an inspiration.

Steampunk?
I suppose my designers manifesto is that I feel that amplifiers with older technology like vacuum tubes should have a vintage look and patina, even if they are being assembled in the 21st century. Vintage has a different look for different people, but I tend to think of copper and polished brass, gold plating, brown and copper hues with a crinkled / hammered texture, wood and metal grating and leather. These seem to be the same facets that find themselves in the psuedo-Victorian era Steampunk movement of design. I'm not sure that future projects will have the telltale brass gears and non-functional pipes that Steampunk gear tends to have, but I may think up other embellishments as time goes on.

I think that the main inspiration for vintage electronics was a company called Moth Audio that produced a number of designs from 1996 to 2007. There are many purveyors of audio gear that make really beautiful work, but in my minds eye, the aesthetics of Moth Audio gear is second to none. Craig Uthus was the head of Moth and at the time, the work was considered to be "retro-styled", the designs were highly distinctive and still highly sought after today. Craig's partner at Moth was Joel Marshall, a Hollywood prop designer, who designed the beautiful chassis you'll see below. 

Moth Audio NiteLite with 15E Radar Tube

Moth Audio Sphinx balanced line-out amp and phono preamp
I almost feel that these amplifiers belong in an exhibit somewhere. Perhaps someone out there could open up an audiophile museum one day, the cable section alone could take up a whole wing ;)

There is at least a few audio builders out there that fully embrace the Steampunk aesthetic; Aevil at Coppersteam Labs put together the best looking S-5 Electronics K-12G I've ever seen. I'd imagine there's more money invested in the copper than the amp itself, it's a real beauty that looks like it came right out of Bioshock.

AEvilMike's K-12G Amplifier 
I also found a lovely "effect-pedal" if you will made by Peter Groenewoud at Hilltree Productions called the Steampunk Doomsday Machine. The top features two 230V DC bulbs that carry the music signal and create the effect. Lots of wood, brass and copper in this Steampunk design. Peter will not share a schematic on this device as the 230V DC going across those lightbulbs is fairly dangerous.

Hilltree Productions Steampunk Doomsday Machine

Also, a new addition after the 2012 Bay Area HeadFi Meet was Frank Cooters amazing looking headphone amplifier. I don't know too many details about this one, but the glorious copper piping and top-plate and nicely figured hardwood really set this apart from other builds. Evidently all the work inside this beast is point-to-point, and Frank has a matching one that powers electrostats. In this photo it looks like someone has an Audeze LCD-2 headphone plugged in.

Frank Cooter's steampunk-styled headphone amp

In conclusion, I'm not sure that my builds are Steampunk. They may look like it to a certain degree, but it's nebulous where the line of vintage and Steampunk merge, intersect and share common facets. What do you think?

Looking for some steampunk-esq audio cables and equipment? Contact your friends at Zynsonix Audio.

July 2, 2011

The AMB Mini³ (Mini Cubed) Portable Headphone Amplifier

The AMB Mini³ is a cute little portable headphone amplifier designed by Ti Kan of AMB Laboratories in 2007. The size of the amplifier when completed is approximately the size of a pack of cigarettes, or perhaps a stack of credit cards ;) 

The AMB Mini3 Schematic

Available from the AMB Laboratories website is the PCB board, a few selected parts, and pre-drilled panels that fit the Hammond 1455C801 or1455C802 enclosure if you'd rather not make them yourself. I'm not a big fan of the unanodized rim around the FPE (Front Panel Express) panels so I'll be drilling them out myself, but if one doesn't have access to a drill press, the pre-made panels would save a lot of effort. 

Because of the size of the board, one has to mount some very miniscule parts, including 1/8 watt resistors and some SMD opamps. SMD stands for Surface Mount Device and means that the device or component is not through-hole, so it is soldered on the side of the PCB that it is mounted on. Most modern components are made by machines using SMDs, but when soldered by hand, care is required. As explained on the Curious Inventor website, solder flux is first placed on the component legs, then solder is added to the tip of the iron, then the solder is carefully added, please view the video here


AMB Mini³ PCB, the size of a credit card
Because of sizing constraints, one really can't drop in boutique resistors, capacitors or other such items, but one can manage a little bit of customization. I chose to replace the 1% metal film resistors with 5% carbon film as carbon films can tend to sound a little more natural. I purchased about 10x the amount of carbon films that I needed and measured them with the multimeter, keeping only the ones that fell within 1% and matching them on both the left and right sides. This is much more obsessive than one needs to be, but I like drawing out projects a little bit longer to get more enjoyment out of them ;) 


My populated AMB Mini³ Board


The Mini³ has a built in battery recharge circuit that runs off a wall adapter. The battery is a very tough fit in the Hammond case. I had to file down the batter contact pins, remove the battery wrapper, sand down the plastic around the battery AND file the top of the inside of the case and it all just barely fits. I chose the 9V CTA 325mAH NiMH rechargeable battery that was recommended, perhaps the latest models are a little larger than before. As you can see below, the fit is quite tight. I also re-snipped some of the soldered leads at the bottom of the PCB to ensure they wouldn't short to the case. 


I wanted to make my Mini³ unique, as there are many out there that have already been built by headphone enthusiasts on HeadWize and HeadFi, so I chose to dremel out a vent area (purely for aesthetics) and have the case powdercoated in a textured antique copper. AMB has a nice set of printouts that you can use to drill the holes in the front and back panels, I simply lined them up, taped them on and used the drill press to make the holes. The vent area was quite a bit more work, requiring four drill holes to be placed in the corners, a cutting disc to cut the area between them, and a metal file to de-burr and even up the cutout. 


Chassis Prep
Once this was complete, I trimmed a small piece of perforated metal and used a permanent adhesive to attach it in place. The grill area is colored with a bright copper powdercoat to provide an accent to the antique copper chassis.


Unit Front without panel on, input, output, LED and potentiometer

Unit back without panel on. LED, power inlet and battery

Completed Mini3 unit with brass hardware and aluminum knob

Antique copper textured powdercoat
One might wonder why I chose to build a solid state amplifier since nearly everything on the Zynsonix blog is tube-based. There are a couple of tube-based portable amplifiers out there. Todd the Vinyl Junkie developed one a few years ago and there's the DIY Oatley Electronics K272A for a mere $27 that people seem to like. I haven't tried either of the two units, but as tubes tend to be fragile and microphonic, I'd be a little concerned about them banging around in my pocket for extended periods of time, even with damper rings. The AMB Mini³ offers a nice warm sound without the tubes, so it is highly recommended in my book. 


The Fine Print:
Please remember that building circuits and performing circuit modifications can be dangerous to you and/or your surroundings and should only be performed by a certified technician. The owner of this blog and all associated parties can not / will not be held responsible if you attempt a build or modification posted above and cause physical harm to yourself or your surroundings. Many electronics contain high voltages that can kill, and mods, if performed improperly, can be a fire hazard. Please keep this in mind. 

June 15, 2011

A Customized Dynaco ST35 Kit

The ST35, also known as the Stereo 35, was released by Dynaco in 1963. It's the baby brother of the Dynaco ST70 and tends to be overlooked by many vintage amplifier aficionados. I think the main reason this is the case is that there isn't a large price difference between the two units, and with a tube rectified power supply, power choke, bias system and twice the wattage, it's hard not to want to step up to the ST70. For those of us with relatively sensitive speakers, the ST35 is a nice little unit with a small footprint and more than ample power (17.5 watts x 2). I've also read from more than one source that the ST35 is the best sounding of the Dynaco units stock, for whatever that's worth ;)

Because there are a lot less ST35s floating around, there aren't really any boards with modern circuits that fit into the original chassis. Shannon Parks of DIYTube has created a brand new circuit board that is similar to the ST35 circuit with some modern sensibilities if one would like to go that route. I prefer the looks of the original ST35 chassis myself, with the exposed PCBs on the ends. For this, I turned to Dynakit Parts. Dynakit Parts is a company based in Clifton, New Jersey and has an impressive selection of old school reproductions of Dynaco products. The kits are about as close to the originals as you can get, from the can capacitor to the screw-down terminal strips.

Dynakit Parts ST35 Kit

The original Dynaco ST35 Schematic

Rather than purchasing the whole kit, I purchased a number of the parts a la carte, as I was interested in adding a little bit of customization to the kit with a power choke, power switch, triode / ultra-linear switches, a C8 power inlet for a custom C7 removable power cord and a number of boutique parts. I also added the ST35-BCU bias control upgrade kit which fits nicely above the chassis. As stated on the Dynakit site:  The ST35-BCU employs an adjustable fixed bias circuit which allows for user adjustment of the bias setting of each (EL84) output tube via (4) separate on board precision bias pots. This allows you to not have to purchase a matched set of power tubes. And even if you did purchase a matched quad, power tubes tend to age differently, so they can be adjusted after this occurs. 


Kevin of Dynakit Parts was working on a brand new brown PCB board for the ST35 when I contacted him. I really appreciate it when a company isn't resting on their laurels but investing in new products and innovations. The new PC-13 boards from Dynakit is made from aerospace grade 240 degree Centigrade brown Polymide mil spec material and features silk screened component designations. The brown will go very nicely with the vintage patina powdercoat scheme that I had planned. I wish the bias board was made of the same nice brown material, but we can't have it all, can we? ;)


Brown Polymide boards with a few parts in place
I elected to populate the small driver / power boards with Kiwame carbon film resistors, Obbligato and Mundorf Supreme film capacitors and Teflon and ceramic tube sockets (the Teflon sockets even have beryllium copper contacts). The caps fit pretty much perfectly, although the Mundorfs will have to be mounted once the boards are mounted due to sizing constraints. The Dynakit build calls for nicer silver mica capacitors in place of the ceramic disc capacitors that were in the older units. These can be found just about anywhere (Mouser, Digikey, Partsconnexion, Handmade, etc.). 


I chose to go with the cadmium metal chassis as opposed to the newer stainless steel version as the chassis is going to be powder-coated; no need to pay extra for that chromed-out finish when no one's going to see it ;) Below you will see the chassis, I've enlarged the holes to fit the Cardas binding posts and RCAs, and the center hole has been enlarged to hold a piece of FR4 material that will then hold the C8 inlet in place. I then gave the chassis a nice sanding and labelled it for the powder-coater. 


A few chassis mods and a bit of sanding prep
One thing I would be painting myself was the power choke. A choke is a nice cheap upgrade for the ST35 and helps reduce ripple in the power supply. A number of people have used the C354 to replace the 50 ohm resistor, I chose a Hammond 156R with 56ohms DCR, which is pretty much the equivalent. Chokes tend to be on the ugly side, so if they aren't hiding in the chassis (there's absolutely no room in this case), they need to be dressed up a bit. I was prepping two at once, one for the ST35 and one for the Millett Jonokuchi


The first step in this process is to sand down the metal frame on the choke. Then painters tape is cut and applied to mask off the inside. I've seen some builders just paint the whole thing, but I don't really care for that look. 


Chokes masked off with painters tape
Next I apply two layers of primer, one per hour, then multiple coats of Hammertone paint. It can be difficult to get the Hammertone paint to lay correctly without making the coat too thick. Any over-spray is corrected using black permanent ink. 


Chokes painted with copper Hammertone paint

Once dry, I measured and cut some strips of black leather and used some epoxy to keep them in place, wrapping around the spool of the choke. I use a couple layers of leather when possible to give the spool a fuller look, it's more aesthetically pleasing.

Completed chokes with leather wrapping the spool. 


UPDATE (6/19/11): The parts arrived for the ST35 power / driver boards, so I went ahead and populated everything except for C4 and C5, which will be 0.1uF Mundorf Supremes that will hang off the board just a bit and will need to be installed once the boards are fastened to the chassis. C1 was not used per Bob Latino's suggestion as its purpose is DC input blocking and nearly all modern-day preamps already have a DC blocking output cap, so I used a pair of thick leads to short C1. As you can see below, the Teflon tube sockets have blue PCB boards installed to ease the soldering process. The sockets had a rather long ground pin that I trimmed down and sanded smooth as there would have been a clearance issue in the height challenged chassis. 


ST35 boards mostly populated and ready for installation


UPDATE (7/8/11): The chassis is pack from the powder-coater so I was able to fit the boards in place. I opted to install them rotated 180 degrees as I wanted the RCAs on the rear of the chassis and there wasn't sufficient clearance with the power tube sockets blocking the way. I took some generic gold-plated RCAs from my parts bin and trimmed off the back with a cutting disc, rendering them nonfunctional but small enough to squeeze between the tube socket and the chassis front, simply for the sake of aesthetics. I was also able to position the painted Hammond filter choke, attach the Cardas copper binding posts and install the Cardas rhodium plated RCA jacks. Also installed was the large silver multicap and the bias control board from Dynakitparts. 


Getting started assembling the parts on the chassis
In the interest of making things convenient, I installed a small 6A SPST toggle switch on the front panel of the chassis so the amp can be powered on and off conveniently.

A 3 Amp power switch installed on the front of the unit
The ST35 Bias Control Unit from DynakitParts makes use of an adjustable fixed-bias circuit, allowing for adjustment of the bias setting of each EL84 power tube via four separate precision bias potentiometers. 


Wires run to the Bias Control Unit from DynakitParts

The initial wiring was completed using Kimber TCSS 19 gauge stranded copper in teflon dielectric. I opted to drill out the area originally designated for the fuse holder and the cable in the interest of fitting a C8 power inlet. Because the re-purposed real estate on the chassis back was a little too large for the C8 inlet, I mounted it to a piece of FR-4 material and then mounted the combo to the chassis. This adds a degree of convenience, allowing a removable C7 power cord to be used to power the amp. The fuse was then moved inside the unit and mounted to one of the chassis braces, really a perfect place for it in my humble opinion. Grounding lugs were added to both chassis braces to connect to the RCA grounds (the Cardas RCAs are insulated from the chassis unlike the stock Dynaco RCAs) and the negative connector of the speaker binding posts. 

Initial wiring of the ST35 complete
UPDATE (7/28/11): The transformer bell-ends arrived back from the powdercoater and were reattached to the iron with brass hardware. Rather than using the cut transformer wire, I prefer the Kimber TCSS Teflon wire for all extraneous point-to-point wiring. The dielectric doesn't melt, it's a little thinner so it's easier to route, and I'd imagine the copper's of a higher purity. I opted to add a set of three 1uF 630V Solen film capacitors as bypass caps for the can capacitor. The Solen film caps are only a couple bucks a pop and have the potential to add refinement to the power supply. It's a narrow fit in the ST35 case, no room for zip tie mounts for the caps. 


Transformers wired in place, Solen bypass caps added
The wiring was finalized by adding a pair of DPDT switches to manage the triode and ultralinear switching. This was wired based on the following advise from Bob Latino and Tazsmonn on the DynacoTubeAudio Forum: Remove green or green white wire from pin #9 of each tube and solder to separate poles of DPDT switch on the same end, Solder wire from pin #9 to center pole of DPDT switch, Solder 100 ohm [resistor] from pin #7 to DPDT switch opposite end from green or green white wire, All wiring to and from switch side must be to same tube.

Triode mode switches wired up
Now that the wiring is complete, a final checkout of the circuit is performed, tubes and installed, the unit is powered on and the tubes biased using the ST35-BCU. The tubes installed were Mullard EL84s and Phillips EGC 12DW7. The sound is quite excellent, very resolving and holographic imaging. It actually sounds quite "hifi" for a circuit from the early 1960s. I could use a tiny bit more bass, but I was listening on a small set of Tektons with 4" Fostex full range drivers. Here's some additional progress pics:

Dynaco ST35 front view
Final Dynaco ST35 back view

Dynaco ST35 side view


UPDATE 8/8/2011: I was able to have a pair of custom engravings made for the unit. A 1" gold circle with the word "Dynaco" engraved in black and a small rectangle with a Dynaco Stereo 35 logo that I made in Adobe Illustrator. These are the final touch.

Final Dynaco ST-35 front view

Final Dynaco ST-35 top view

Engraving detail on quad-cap

Final Dynaco ST-35 rear view



To recap, the customizations to the kit were as follows:
  • Teflon tube sockets with Beryllium copper contacts
  • Ceramic gold plated driver tube sockets
  • Mundorf and Obbligato driver board capacitors
  • Solen power bypass caps
  • Kimber TCSS internal wiring
  • Kiwame / Koa Speers carbon film resistors
  • Hammond 156R Choke - 56ohms DCR
  • Dynakit Parts ST35 BCU (Bias Control Unit)
  • Front power switch
  • Triode / Ultralinear Switches
  • Cardas RCAs and Binding Posts
  • C8 power inlet jack with custom C7 power cord
  • Custom powdercoat color-scheme
  • Alternate fuse holder and placement
  • Custom Brass Engravings

The Fine Print:
Please remember that building circuits and performing circuit modifications can be dangerous to you and/or your surroundings and should only be performed by a certified technician. The owner of this blog and all associated parties can not / will not be held responsible if you attempt a build or modification posted above and cause physical harm to yourself or your surroundings. Many electronics contain high voltages that can kill, and mods, if performed improperly, can be a fire hazard. Please keep this in mind. 

May 30, 2011

A new upgrade for the Bottlehead Seduction Phono Pre-amp

In the interest of a little tweak for the Bottlehead Seduction Phono Pre-amp, a pair of Hammond 155J chokes were added to the power supply in place of the two 1K resistors. On paper, they are 1026 ohms +/- 15%. In practice, they measured about 900 ohms each, which should be close enough for this purpose. Chokes allows better filtering in the power supply (less hum in the output of the amp and less voltage drop) which should translate to better sound. There's a nice quick lesson on the purpose of chokes here. Since the stock Bottlehead design lifts the transformer with a pair of standoffs for noise reduction, I decided to use a pair of standoffs for the chokes to physically move them away from the tubes. As typical with Bottlehead kits, once you start dropping in some fancy parts, the real estate tends to go pretty quickly. The most accommodating place to mount them in my case was right next to the C4S constant current upgrade board.


Pair of Hammond 155J Chokes next to the C4S
 The upgrade required about a half hour of time to mount the chokes and solder them in place, along with about $30 plus shipping for the chokes themselves. I'm listening away to the new Radiohead The King of Limbs vinyl as I write this, the sound is warm and smooth, just as a record should sound.


Please read the full story here: http://www.diyaudioblog.com/2011/02/bottlehead-seduction-phono-pre-amp.html 



The Fine Print:
Please remember that building circuits and performing circuit modifications can be dangerous to you and/or your surroundings and should only be performed by a certified technician. The owner of this blog and all associated parties can not / will not be held responsible if you attempt a build or modification posted above and cause physical harm to yourself or your surroundings. Many electronics contain high voltages that can kill, and mods, if performed improperly, can be a fire hazard. Please keep this in mind. 


May 20, 2011

The Latest Updates - Bottlehead and MHDT

Like an artist may say that a painting is never done, or the guys at PIXAR saying a movie is never finished, some of us electronics nuts feel like a project is never done. There is always another tweak, another piece to be added, substituted or upgraded. In the interest of keeping all information on a particular project in one place, I regularly go back and edit existing posts to include updates.


The first update to cover is the MHDT Constantine NOS DAC. When I was placing an order for some nicer caps in the MHDT Paradisea, I opted to get a few for the older Constantine as well, replacing the four 0.10uF stock caps with Obbligatos. A little bit of drilling of the soldering eyelets was required for the thick leads. Luckily, the Constantine board is one sided and I didn't have to worry about the conductive shells of the Obbligatos touching any traces. I did opt to add Teflon sleeving to the leads so that they wouldn't short across the shell though.


A few more of those beautiful gold Obbligatos for the Constantine
You can find the rest of the story here:
http://www.diyaudioblog.com/2011/02/modifying-mhdt-constantine-nos-dac.html




The second update covers a few additional modifications for the Bottlehead Crack headphone amplifier.  I managed to squeeze in a Solen 220uF film cap in the final electrolytic power cap location, sitting on a pair of standoffs. I also took the time to bypass the other two power caps with a pair of low-cost Audiophiler 2.2uF film caps. A Triad C7X was selected with a rating of 270ohms to take the place of the final resistor in the power supply (also 270 ohms). Since pretty much all the real estate has been used up on the plate, two 2" aluminum standoffs were used to raise the choke above the capacitor near the RCA inputs. This required adding 1" spiked feet to the bottom of the wood base for adequate clearance, just like in the Bottlehead S.E.X. build.  

Large Solen power cap and Triad choke
You can find the rest of the story here:




Finally, just a few days ago a MHDT Paradisea NOS DAC modification project was finished up. A variety of nice items were installed including Takman and Kiwame carbon film resistors along with Obbligato and Mundorf Silver Oil film capacitors. Next on the list for this mod is a Burr Brown op-amp to replace the stock Analog Devices one. 

Some creative mounting of the Mundorf Silve Oil Caps

You can see the whole story here:

Be sure to keep an eye out on other posts for new updates. I hope to be finishing up the Millett Jonokuchi headphone amplifier in the next few weeks, along with casing up a completed AMB Mini Cubed portable headphone amplifier. Of course it will be unique looking like my other projects ;)



The Fine Print:
Please remember that building circuits and performing circuit modifications can be dangerous to you and/or your surroundings and should only be performed by a certified technician. The owner of this blog and all associated parties can not / will not be held responsible if you attempt a modification posted below and cause physical harm to yourself or your surroundings. Many electronics contain high voltages that can kill, and mods, if performed improperly, can be a fire hazard. Please keep this in mind. 


April 27, 2011

Silver Plated Copper Mini to RCA Cable

We've all been in that position when we want to plug our iPod / MP3 player / PCDP or other portable device into our home stereo. Today's smartphones let you stream music from your computer, radio stations and services like Pandora straight through the web; it's tough to disregard all this utility and flexibility when compared to something like the single disc CD player plugged into your rig. In today's blog, I will be constructing a simple but excellent sounding mini to RCA cable that can bring all those modern features to your home amplifier.

A mini connector, also known as a 1/8" or 3.5mm TRS (Tip, Ring, Sleeve) is the de facto standard for portable headphone connections and has been around since the mid 20th century, being used with earpieces on transistor radios. The original 1/4" version dates all the way back to 1878 (!) and was used for telephone switchboards.  This mini connector is connected to a braid of wires that then convert to a left and right RCA connection. RCA connectors were designed in the 1940s to connect phonographs to amplifiers. It's a mild curiosity why the industry is still using such an age-old connector designs. More modern and esoteric designs like the iBasso Toucan and Ray Samuels SR-71B make use of unique balanced connectors such as the 6 pin Hirose and 4 pin Protector, designs that will likely never make it to mainstream audio equipment, but it's nice to see the designers offering these options.

I'll be starting this mini to RCA cable by trimming four strands of equally long wire in preparation for braiding. I'm choosing silver plated copper in Teflon as it has nice sonic properties and is relatively inexpensive compared to boutique audio wire. Silver plated copper (SPC, as I call it) in Teflon is offered by companies such as Belden and can sometimes be found as military surplus (mil-spec). Not all SPC is created equal, and you'll want to be sure you're getting silver plated copper and not tin plated copper. SPC is discussed in more detail in my post describing custom made SPC Speaker Cables.

Four Strands of Silver Plated Copper in Teflon
Once the wire is laid out, the strands are braided into a formation of four wires so that the cable maintains the same EMI/RFI rejecting geometry all the way across the length of the cable. Do note that one needs to cut the wire a little longer than necessary as a few inches of length will be lost in the braiding process. 

A nice, tight litz braid leading to two twisted pairs
Once the braiding is complete, the wire is fed into a sleeve of soft black nylon multifilament. This gives the finished product an attractive look. Nylon sleeving can also help negate microphonics in headphone cables. At the Y-split, I melt the multifilament together to ensure that it does not separate when pulled or tugged. A Y-split is also added with multiple layers of adhesive heatshrink. You can see an another take on a Y-split in my custom AKG K1000 cable post.


The sleeved cable with Y-Split
RCA connectors will now be added to the two twisted pairs of wires. Some sleek-looking chrome plated RCAs were selected for this particular cable, but I will typically use Canare F-09 or Switchcraft 3502 series gold plated RCAs as I have found them both to be well-built and reasonably priced. 


Chrome RCAs attached
Next comes the mini to mini connector. I almost exclusively use Switchcraft 35HD series connectors. They are made in the USA, sturdy, and not too large. The Canare F-12 minis are nicely made, but the barrel is very large compared to other connectors. If one needs a plug that's physically smaller than the Switchcraft, the Neutrik NYS231 will fit the bill. It's about a quarter of the price of the Switchcraft but doesn't seem quite as solid in my humble opinion.


The Switchcraft connector has a small piece of metal on the ground connection that I personally don't use, so it's trimmed off with metal snips. Once the soldering connections are made, all connectors are tested for continuity and shorts using a multimeter. They are then isolated with heatshrink as an added precaution to prevent shorting. The crimp on the ground connection holds both the wire and sleeving in place and prevents strain on the soldered connections.  


Switchcraft mini connector attached
As an added strain relief, a piece of 1/4" polyolefin black heatshrink secures the sleeve to the ground crimp.


Added heatshrink as a strain relief
The barrel is now screwed onto the Switchcraft mini connector and that completes the mini to RCA cable.  


The finished mini to RCA cable
I hope you enjoyed this step-by-step walk-through. If you are interested in purchasing a custom, hand made mini to RCA cable, they are more affordable than you think, and are available from Zynsonix.com